Chicken Scratch Live Music
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Indigenous music of North America |
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Music of indigenous tribes and peoples |
Types of music |
Instruments |
Awards ceremonies and awards |
Chicken scratch (also known as waila music) is a kind of dance music developed by the Tohono O'odham people. The genre evolved out of acoustic fiddle bands in southern Arizona, in the Sonoran desert. These bands began playing European and Mexican tunes, in styles that include the polka, schottisch and mazurka.[1]
Chicken scratch, however, is at its root, an interpretation of norteño music, which is itself a Mexican adaptation of polka. Many chicken scratch bands still play polka songs with a distinctive flourish, and may also play the waltz or conjunto.[2] Chicken scratch dance is based on the 'walking two step or the walking polka and the emphasis is on a very smooth gliding movement';[3] dancers may also perform the mazurka or the chote, though no matter the style, it is always performed counterclockwise.[4]
Chicken scratch is usually played with a band including alto saxophone, bass, guitar, drums and accordion,[4] though the original style used only percussion, guitar and violin, with the accordion and saxophone added in the 1950s.[5] Its home is the Tohono O'odham Indian Reservation, Salt River Pima-Maricopa Indian Community and Gila River Indian Community.
The chicken fingers with honey vinegar sauce were excellent. The staff seemed a bit overwhelmed,. The live music was simply too loud. It's definitely a hipster style hang out but it's not really neighborhood friendly, what with the decibels and lighting. Zev Haber - Chicken Scratch - Amazon.com Music. Skip to main content. Try Prime Hello, Sign in Account & Lists Sign in Account & Lists Returns & Orders Try Prime Cart. CDs & Vinyl Go Search Hello. Chicken scratch (also known as waila music) is a kind of dance music developed by the Tohono O'odham people. The genre evolved out of acoustic fiddle bands in southern Arizona, in the Sonoran desert. These bands began playing European and Mexican tunes, in styles. Find album reviews, stream songs, credits and award information for Chicken Scratch Christmas - Southern Scratch on AllMusic - 1995.
The term waila comes from Spanishbailar, meaning to dance.[6] The term chicken scratch comes from a description of traditional Tohono O'odham dance, which involves kicking the heels high in the air, which supposedly bears a resemblance to a chicken scratching.[3]
The most famous performers are likely the Joaquín Brothers, Los Papagos Molinas with Virgil Molina,[6] and Southern Scratch.[7] The Annual Waila Festival in Tucson, Arizona, is well-known,[4] as is the Rock-A-Bye Music Fest in Casa Grande, Arizona. Canyon Records and Rock-A-Bye Records are the best known labels for the genre.
In 2011, a 'Best Waila' category was added to the Native American Music Awards.[8]
References[edit]
- ^'Waila: Chicken Scratch'. Pulse of the Planet. Retrieved June 21, 2005.Pulse of the Planet also mentions cumbia as a more recent influence
- ^'Accordion Music'. Music of the Southwest. Archived from the original on May 24, 2005. Retrieved June 21, 2005.
- ^ abPulse of the Planet
- ^ abc'The Annual Waila Festival'. Library of Congress: America's Story. Archived from the original on June 24, 2005. Retrieved June 21, 2005.
- ^'Le chant des Indiens d'Amérique du Nord'. La Médiathèque. Archived from the original on October 20, 2005. Retrieved June 21, 2005. (in French)
- ^ abMeans, Andrew. 'Hey-Ya, Weya Ha-Ya-Ya!'. 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), The Rough Guide to World Music, Rough Guides Ltd, Penguin Books. p. 594. ISBN1858286360
- ^Southern Scratch.Archived March 21, 2009, at the Wayback Machine Canyon Records (23 April 2009)
- ^'Music Awards - BEST WAILA'. Archived from the original on August 18, 2011. Retrieved August 13, 2011.
Further reading[edit]
Chicken Scratch Music Youtube
- Wright-McLeod, Brian (2000). The Encyclopedia of Native Music: More Than a Century of Recordings from Wax Cylinder to the Internet. University of Arizona Press. ISBN0-8165-2448-3.